Sans Superellipse Kuhy 11 is a very bold, very wide, low contrast, upright, short x-height, monospaced font visually similar to 'HK Modular' by Hanken Design Co. (names referenced only for comparison).
Keywords: display, headlines, branding, posters, ui labels, futuristic, tech, playful, retro, toy-like, sci-fi styling, systematic geometry, display impact, interface feel, rounded, modular, geometric, boxy, soft-cornered.
A heavy, rounded-rectangle sans with modular construction and a consistent, monoline stroke. Corners and terminals are broadly radiused, producing superellipse-like bowls and squared-off curves, while counters tend to be narrow and slot-shaped. The letterforms sit on a steady, evenly spaced rhythm with uniform character widths, and many joins resolve into smooth, softened right angles rather than sharp diagonals. Overall proportions favor wide bodies and compact interior space, giving the face a dense, blocky silhouette with clear, simplified shapes.
Best suited to display settings where its bold, modular forms can read as a deliberate stylistic choice—headlines, logos, packaging, posters, and tech-themed branding. It can also work for short UI labels and interface-like graphics, where consistent spacing and simplified shapes support a structured, digital rhythm.
The tone is distinctly futuristic and gadgety, with a friendly softness that keeps it from feeling cold or industrial. Its rounded, modular geometry evokes sci‑fi interfaces and late-20th-century digital styling, while the chunky weight and softened corners add a playful, toy-like charm.
The font appears designed to deliver a cohesive, futuristic sans voice built from rounded rectangular modules, prioritizing strong silhouette and consistent spacing over traditional humanist detail. It emphasizes a systematized geometry that reads quickly at larger sizes and creates a distinctive, contemporary texture in short bursts of text.
The design’s squared curves and tight apertures create strong texture in paragraphs, especially where repeated horizontal slots appear in letters like E, S, and numerals. Diagonals are minimized and often rendered as softened transitions, reinforcing a constructed, system-like feel across both uppercase and lowercase.