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Outline Ryla 5 is a very light, very narrow, low contrast, upright, tall x-height font.

Keywords: headlines, posters, signage, logos, packaging, retro, industrial, sporty, technical, architectural, space saving, display impact, signage style, graphic overlay, modern utility, condensed, outlined, monoline, blocky, clean.


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A condensed, monoline outline design built from simple geometric forms with squared terminals and lightly rounded corners. Strokes are rendered as an even contour with open counters, giving the letters a hollow, wireframe look. Curves are taut and narrow (notably in C, G, O, and S), while verticals dominate, producing a tall, compressed rhythm. Numerals and capitals share a consistent, utilitarian construction, and the overall spacing feels engineered for tight horizontal fit and strong vertical presence.

Best suited for headlines, posters, signage, and identity work where a tall, condensed outline can add structure without adding visual weight. It can also work well for packaging, sports-themed graphics, and titling that benefits from a clean, engineered outline aesthetic, especially at medium to large sizes.

The outline construction and condensed proportions evoke a retro signage and scoreboard sensibility, with an industrial, technical edge. It feels energetic and display-forward, leaning toward sporty or architectural contexts where a crisp, linear silhouette reads as modern and functional rather than decorative.

Likely designed as a compact display outline that maximizes vertical impact while staying light on the page. The consistent contour and straightforward geometry suggest an intention to provide a versatile, scalable outline style for modern layouts that reference vintage signage and industrial lettering.

The thin outline means the font’s presence depends heavily on size and contrast; it reads most confidently when given room to breathe or when paired with a solid fill/outline effect in layout. The narrow build and simplified details create a consistent texture across long uppercase strings, while the open, outlined counters emphasize airiness over mass.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸