Sans Superellipse Femem 11 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Kurry' by Cadson Demak, 'Angela Love Sans' by Fargun Studio, 'Conthey' by ROHH, 'Amsi Grotesk' by Stawix, and 'Calps' and 'Calps Sans' by Typesketchbook (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, signage, sporty, retro, urgent, headline, industrial, space saving, impact, motion, brand presence, display emphasis, compressed, oblique, rounded, chunky, punchy.
A tightly set, heavy oblique sans with compact proportions and rounded-rectangle construction. Strokes are uniform and dense, with softened corners and oval/squarish counters that keep forms sturdy at large sizes. The rhythm is brisk and compressed, with short apertures and a consistent forward lean that emphasizes motion. Numerals and capitals read as blocky and impactful, while the lowercase maintains a practical, workmanlike texture with rounded terminals and minimal detailing.
Best suited to short, high-impact settings such as posters, headlines, sports and team identities, product packaging, and attention-grabbing signage. It can work for brief brand statements or pull quotes where a strong, condensed voice is needed, but is less ideal for extended small-size reading due to its dense strokes and compressed spacing.
The overall tone feels energetic and forceful, with a fast, athletic slant and a no-nonsense, poster-like presence. Its rounded edges keep it friendly enough for contemporary branding, while the condensed heft evokes vintage sports graphics and industrial labeling. The impression is assertive and streamlined rather than delicate or refined.
The design appears aimed at delivering maximum impact in minimal horizontal space, pairing a strong oblique stance with rounded, compact construction for a contemporary-yet-retro display voice. It prioritizes bold presence and momentum over typographic nuance, making it well adapted to branding and headline environments that need speed, strength, and clarity.
The forward slant is strong and consistent across cases, creating a cohesive “in motion” look in text lines. Round characters (like O/C) stay compact and squared-off, reinforcing the superelliptical feel and helping counters remain open despite the heavy weight. The bold punctuation and dense letterforms suggest it is most comfortable when given breathing room in tracking and line spacing.