Sans Superellipse Hudag 7 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Cord Nuvo' by Designova, 'Entropia' by Slava Antipov, and 'Herokid' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, industrial, authoritative, condensed, punchy, sporty, space saving, high impact, modern utility, brand presence, headline focus, blocky, square-rounded, compact, tight spacing.
A compact, heavy sans with strongly condensed proportions and a tall lowercase that keeps counters relatively small. Curves resolve into rounded-rectangle (superellipse) shapes, giving O/C/G and bowls a squared softness rather than true geometric circles. Strokes are uniform and bluntly terminated, with minimal modulation and crisp joins that create a sturdy, poster-ready texture. The overall rhythm is vertical and dense, with narrow apertures and tight internal spacing that reads as a solid block of black at display sizes.
Best suited for short, high-impact text: headlines, subheads, title cards, logos/wordmarks, and bold packaging or signage. It works well when you need maximum visual weight in limited horizontal space, but the dense counters and tight apertures make it less ideal for long-form reading at small sizes.
The tone is forceful and utilitarian, with an industrial, no-nonsense voice. Its compressed stance and squared rounding evoke sports branding, warning labels, and bold editorial headlines—confident, urgent, and direct rather than friendly or delicate.
Designed to deliver a concentrated, attention-grabbing voice with a modern, squared-round construction. The intent appears to be efficient use of width while preserving strong letter differentiation through simplified, sturdy forms and consistent stroke weight.
The uppercase feels especially monolithic, while the lowercase maintains the same compressed build with simple, pragmatic shapes. Numerals are equally stout and compact, matching the heavy color and emphasizing legibility through strong silhouettes rather than open counters.