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Free for Commercial Use

Distressed Hodeh 16 is a light, normal width, high contrast, upright, normal x-height font.

Keywords: posters, album art, book covers, headlines, packaging, handmade, gritty, playful, raw, sketchy, handmade feel, worn ink, diy texture, expressive display, brushy, uneven, ragged, inconsistent, expressive.


Free for commercial use
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A hand-rendered, brush/marker-style design with irregular contours and visibly uneven stroke behavior. Strokes alternate between thin, scratchy lines and heavier inked blobs, creating abrupt contrast within single letters and around curves. Forms are mostly simple and open, with rounded bowls and blunt terminals, while many edges show ragged, worn-looking texture. Spacing and widths vary noticeably from glyph to glyph, reinforcing an organic, non-mechanical rhythm that reads like quick sign lettering or rough notes.

Best suited for short-form display work where texture and attitude are desirable—posters, album/playlist artwork, book covers, packaging accents, and thematic titles. It can also work for quotes or callouts at larger sizes where the distressed edges and stroke variation remain clear. For long passages or small sizes, the irregular stroke rhythm may reduce readability, so pairing with a cleaner text face can help.

The overall tone feels gritty and handmade, with an energetic, slightly chaotic character. Its rough texture and inconsistent inking suggest DIY culture—zines, punk flyers, or horror-leaning ephemera—while the rounded shapes keep it approachable rather than purely aggressive. The result is expressive and informal, prioritizing personality over polish.

This font appears designed to emulate rough, hand-painted or worn-ink lettering, capturing the imperfections of a quickly made mark. The variable widths, uneven terminals, and distressed contours aim to add authenticity and atmosphere, making otherwise simple letterforms feel tactile and expressive.

In the sample text, the texture becomes more apparent as small breaks, blobs, and tapered strokes accumulate across lines, giving a convincingly distressed printed/painted impression. Uppercase letters tend to feel more poster-like and bold in presence, while lowercase maintains a casual, handwritten cadence. Numerals share the same uneven ink distribution, with some figures appearing more skeletal and others more filled-in.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸