Sans Other Sevo 11 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Monbloc' by Rui Nogueira (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, techno, retro, architectural, assertive, compact impact, tech branding, signage clarity, modular styling, retro futurism, condensed, geometric, stencil-like, squared, tall.
A tall, condensed display sans with uniform, heavy strokes and sharply squared terminals. The forms are built from straight verticals and horizontals with occasional tight, rounded corners, creating a rigid, engineered silhouette. Counters are narrow and slot-like (notably in rounded letters), and several joins and apertures feel cut-in or notched, giving a subtly stencil-like, modular construction. Spacing and widths vary by character, but the overall rhythm stays vertical and compact, with strong, blocky presence in text.
Best suited for headlines and short display lines where its condensed, high-impact shapes can shine—such as posters, logos/wordmarks, packaging callouts, and wayfinding-style signage. It can also work for UI/overlay labels or chapter titles when a strong, technical mood is desired, but the tight counters suggest avoiding long body text at small sizes.
The font conveys an industrial, machine-made tone—confident, controlled, and slightly futuristic. Its squared geometry and narrow counters evoke retro tech, signage, and engineered systems rather than casual or humanist warmth.
The design appears intended to deliver maximum presence in a compact width, using a modular, squared construction to create a distinctive, tech-leaning voice. Its notched details and narrow internal spaces suggest a deliberate “cut” aesthetic aimed at striking display typography rather than neutral text setting.
Diagonal strokes are used sparingly and feel secondary to the dominant vertical/horizontal logic, which reinforces a grid-based aesthetic. Numerals match the same condensed, high-contrast-in-shape (not stroke) approach, reading as sturdy, utilitarian figures suited to labels and display settings.