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Free for Commercial Use

Sans Normal Nykaz 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Surfwave Club' by IKIIKOWRK, 'Avenir Next Paneuropean' by Linotype, 'Fonseca' by Nasir Udin, 'Reflex Pro' by RMU, 'Almarose' by S&C Type, 'Masserini' by Studio Sun, 'TT Norms Pro' by TypeType, and 'Fortune Mouner' by Viswell (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, display, playful, chunky, friendly, retro, punchy, impact, friendliness, retro flavor, display clarity, brand voice, rounded, compact, soft corners, bulky, high impact.


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A heavy, rounded sans with broad, compact proportions and a distinctly chunky rhythm. Curves are built from thick, circular forms with smooth joins, while diagonals and terminals often resolve into subtly angled or chamfer-like cuts, giving letters a lively, cut-paper feel. Counters are relatively small and tightly enclosed, and the overall texture is dense and dark, producing strong block-like word shapes in text. Numerals share the same stout construction, with rounded bowls and simplified interior spaces for a consistent, poster-ready color.

Best suited to display settings where weight and presence matter: headlines, posters, logos, and bold brand statements. It can also work well on packaging and promotional graphics, especially when a friendly, vintage-leaning voice is desired. For longer text, it’s most effective at larger sizes where the tight counters and dense color remain comfortable to read.

The font reads bold and approachable, with a playful retro sensibility. Its soft, inflated shapes feel friendly and informal, while the crisp, slightly angled cuts add energy and a handcrafted edge. Overall it projects a fun, confident tone that favors impact over delicacy.

This appears designed to deliver maximum impact with rounded, friendly geometry, balancing soft shapes with small angular cuts for personality. The consistent, chunky construction suggests an emphasis on strong silhouettes, quick recognition, and an upbeat, attention-grabbing presence in display typography.

The design maintains a consistent stroke mass across rounds and straights, and the compact counters help it hold together as a strong headline face. The slightly quirky cut angles (notably visible on diagonals and some curves) introduce character without breaking cohesion across the alphabet.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸