Sans Superellipse Rakeh 6 is a regular weight, very narrow, monoline, upright, normal x-height font visually similar to 'Libel Suit' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, packaging, wayfinding, branding, condensed, modernist, utilitarian, industrial, editorial, space saving, clarity, system design, modern utility, tall, clean, geometric, rounded, compact.
A tall, tightly spaced sans with uniform stroke weight and compact sidebearings. Curves resolve into rounded-rectangle bowls and terminals, giving counters a squarish softness rather than perfect circles. Vertical strokes dominate, with straight-sided rounds on letters like O, D, and U, and crisp, simple joins on diagonals and arms. The overall rhythm is narrow and steady, with minimal contrast and a disciplined, engineered feel across capitals, lowercase, and figures.
Best suited to space-conscious headlines, subheads, and short blocks of copy where a condensed texture is desirable. It can work well for packaging, labels, and signage systems that benefit from compact width and consistent stroke weight. In branding, it fits modern, technical, or industrial identities that want a clean, structured voice.
The font projects a clean, no-nonsense modern tone—efficient, technical, and slightly retro-industrial. Its condensed stance and rounded-rect geometry add a controlled friendliness without becoming casual or playful. In longer text it feels functional and editorial, favoring clarity and structure over expressiveness.
The design appears intended to deliver a compact, highly legible sans for tight horizontal spaces, using rounded-rectangle construction to keep forms distinctive at display sizes. Its restrained detailing and consistent stroke weight suggest a focus on clear reproduction across print and screen applications where a narrow, orderly typographic color is needed.
The uppercase set reads especially architectural due to the tall proportions and straight-sided bowls. Lowercase forms keep the same compact logic, with single-storey shapes where shown (e.g., a, g) and simple, upright punctuation in the sample. Numerals follow the same condensed geometry, aligning visually with the capitals for a cohesive, system-like texture.