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Free for Commercial Use

Sans Contrasted Kywo 6 is a light, narrow, very high contrast, italic, normal x-height font.

Keywords: headlines, posters, magazines, branding, packaging, dramatic, editorial, fashion, sleek, expressive, display impact, modern elegance, expressive motion, editorial voice, bespoke feel, calligraphic, slanted, hairline, angular, dynamic.


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This typeface pairs ultra-thin hairlines with abrupt, heavy curved strokes, creating a striking high-contrast rhythm throughout. Forms are notably slanted, with many letters built from single, needle-like stems that transition into rounded, ink-trap-like bowls or terminals. Geometry mixes crisp, angled joins (seen in diagonals and arm connections) with smooth, circular counters, producing a lively, asymmetric texture. Spacing and widths feel irregular by design, with some glyphs compact and others opening up, reinforcing a hand-drawn, gestural construction despite the sans-serif skeleton.

Best suited to display settings such as headlines, poster titles, magazine features, branding marks, and packaging where its contrast and slant can be appreciated. It can work well for short editorial pull quotes or event graphics that benefit from a chic, energetic voice. For longer text, it’s more effective as an accent face paired with a calmer companion due to its thin strokes and animated letterforms.

The overall tone feels sharp, stylish, and slightly theatrical—like a modern calligraphic marker translated into a fashion-forward display face. The exaggerated contrast and forward lean give it urgency and motion, while the clean, serifless structure keeps it contemporary. It reads as playful but refined, with a deliberate sense of tension between delicacy and boldness.

The design appears intended to deliver a contemporary, high-fashion display look by exaggerating stroke contrast and italic movement while keeping a sans-serif foundation. Its variable-looking widths and gestural joins suggest an aim to feel expressive and bespoke, prioritizing visual impact and personality over uniform text neutrality.

Uppercase characters show strong personality with simplified structures and occasional unconventional strokes, while lowercase letters lean more fluid and note-like. Numerals echo the same contrast strategy, combining thin uprights with heavy, rounded segments, which makes them especially attention-grabbing in short strings. The thin connecting strokes can visually disappear at smaller sizes, so the design’s character is most apparent when given enough scale and breathing room.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸