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Free for Commercial Use

Sans Contrasted Ofgef 11 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Flatline Sans' by Up Up Creative (names referenced only for comparison).

Keywords: headlines, editorial, magazines, branding, packaging, elegant, modern, refined, fashion, luxury tone, editorial impact, modern refinement, display clarity, crisp, sharp, clean, calligraphic, high-waisted.


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A contrasted, upright Latin typeface with crisp, tapered terminals and a largely serifless construction. Strokes show pronounced thick–thin modulation, with many ends finishing in angled, wedge-like cuts rather than bracketed serifs. Uppercase forms are tall and statuesque with generous curves (notably in C, G, O, Q) and a mix of straight, chiseled joins in diagonals (V, W, X, Y). Lowercase maintains a readable, moderate x-height and open apertures, with the double-storey a and g rendered in a simplified, contemporary manner and a long, clean descender on y. Numerals follow the same calligraphic contrast, giving figures a sleek, fashion-forward rhythm in text.

Best suited to display and editorial contexts such as magazine headlines, pull quotes, lookbooks, and premium brand identities. It can also work for short passages in brochures or packaging where a refined, high-contrast texture is desirable and ample size/leading can be afforded.

The overall tone is polished and upscale, combining modern minimalism with a calligraphic sense of contrast. It reads as editorial and fashion-oriented—poised, curated, and slightly dramatic—without becoming ornamental. The sharp terminals and elegant modulation lend a premium, boutique feel that stays crisp in composed text.

The design appears intended to deliver a contemporary, luxury-leaning voice by pairing serifless silhouettes with strong stroke modulation and sharp, tailored terminals. It aims for high-impact elegance in titles and brand-facing copy while remaining legible in mixed-case settings.

Spacing and rhythm feel measured, with rounded letters occupying more visual width than straight-sided forms, creating a subtle variable cadence. The design favors clean geometry and sharp finishing cuts over detailing, which keeps headlines looking refined while preserving clarity in mixed-case paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸