Sans Superellipse Piguj 5 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Tungsten' by Hoefler & Co.; 'Agharti' by That That Creative; and 'Angmar', 'Delonie', and 'Headpen' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, packaging, sports branding, signage, industrial, assertive, condensed, modern, punchy, space saving, display impact, modern utility, strong emphasis, blocky, compact, squared, rounded corners, high impact.
A compact, condensed sans with thick strokes and softly squared, superellipse-driven curves. Counters are tight and apertures tend to be small, creating dense color and strong vertical rhythm. Round characters (O, C, G, e) read as rounded rectangles rather than perfect circles, while terminals are mostly blunt with subtly eased corners. Lowercase forms are tall with short ascenders/descenders and single-story a and g, keeping the silhouette clean and utilitarian. Numerals match the heavy, compressed proportions and maintain consistent stroke weight across shapes.
Best suited to headlines, large subheads, and short bursts of copy where high impact and space efficiency are priorities. It can work well for posters, packaging, labels, and signage systems that need condensed emphasis. In longer passages, the tight counters and dense texture suggest using larger sizes and generous leading for comfort.
The overall tone is forceful and pragmatic, with an industrial, no-nonsense voice. Its dense texture and narrow set give it a commanding, headline-forward presence that feels contemporary and functional rather than friendly or delicate.
The design appears aimed at delivering maximum presence in minimal horizontal space while preserving a clean, geometric construction. Its superellipse-like rounds and blunt terminals suggest an intention to feel modern, sturdy, and highly legible at display sizes.
Spacing appears tight by default, which reinforces a poster-like density in text lines. Diacritics and punctuation shown are minimal, but the basic forms keep a consistent rounded-rectangle logic across the set.