Script Olro 1 is a bold, normal width, medium contrast, italic, short x-height font.
Keywords: branding, packaging, posters, headlines, logos, retro, friendly, confident, playful, expressive, hand-lettered feel, display impact, vintage signstyle, friendly tone, decorative caps, brushlike, swashy, rounded, lively, calligraphic.
A flowing, brush-inspired script with a consistent rightward slant and energetic rhythm. Strokes are weighty and rounded, with tapered terminals that suggest pressure changes from a pen or brush, and occasional thicker downstrokes. Letterforms favor open bowls and smooth, continuous curves; many joins are implied through entry/exit strokes even when characters are not strictly connected. Capitals feature gentle swashes and looped constructions, while lowercase forms keep compact counters and slightly shortened proportions, giving the text a dense, cohesive texture.
Well-suited for branding and logo-style wordmarks, packaging, café/restaurant menus, posters, and social graphics where a warm, handcrafted voice is desired. It works especially well for short headlines, taglines, and product names, and can add a vintage flair to invitations or promotional materials when set at display sizes.
The overall tone is upbeat and personable, with a distinctly retro sign-painting flavor. Its confident stroke weight and soft, looping forms feel welcoming and informal, making it suitable for expressive, human-centered messaging rather than restrained corporate typography.
The font appears designed to emulate confident hand-lettering with a brush-pen feel—prioritizing lively movement, smooth curves, and decorative caps for standout display typography. Its forms aim for high personality and instant readability at larger sizes while maintaining a cohesive script rhythm across mixed-case text.
The uppercase set is notably decorative, with flourished strokes on letters like A, Q, R, and G, which adds strong personality in headlines. Numerals are similarly slanted and brushy, matching the script’s momentum, and punctuation in the sample supports a conversational feel. The design reads best when given room to breathe, as the heavy curves and swashes can visually crowd at tight spacing or small sizes.