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Free for Commercial Use

Wacky Jini 8 is a very bold, normal width, low contrast, upright, normal x-height font.

Keywords: posters, headlines, branding, packaging, kids media, playful, quirky, mischievous, cartoon, whimsical, standout display, humor, handmade feel, character branding, novelty impact, blobby, spiky, asymmetric, hand-cut, organic.


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A chunky, highly stylized display face with heavy, rounded masses interrupted by sharp, fang-like terminals and teardrop notches. Strokes feel carved rather than drawn: curves bulge unevenly, counters range from small pinholes to roomy ovals, and joins often taper into pointed tips that create a lively, irregular silhouette. Proportions vary noticeably across letters, giving the alphabet a jittery rhythm; forms stay mostly upright but wobble in width and balance. Numerals follow the same inflated-and-notched construction, with dramatic, scooped shapes and occasional spear-like endings.

Best suited for short headlines, posters, logos, and packaging where personality is more important than neutrality. It performs well in playful branding, kids or game-adjacent graphics, event promos, and novelty labels. For longer text, its irregular rhythm and decorative terminals are likely to feel busy, so it’s most effective in larger sizes and modest line lengths.

The overall tone is playful and offbeat, with a slightly mischievous edge created by the recurring spikes and cut-out details. It reads like a cartoon or party prop—friendly at a glance, but intentionally odd and attention-grabbing. The inconsistent shapes add a spontaneous, handmade energy that feels comedic rather than formal.

The design appears intended to deliver instant character through exaggerated, blobby shapes and sharp cut-in accents, producing a distinctive word silhouette. Its uneven construction suggests an intentionally handmade, cut-paper or carved look aimed at expressive display settings rather than typographic restraint.

Many capitals emphasize exaggerated top/bottom mass and use small interior cut-outs as defining features, while lowercase forms stay compact with simplified bowls. The pointy terminals on letters like K, M, N, V, W, X, and Y contribute to a lively texture in words, especially at larger sizes. Spacing appears designed for display, with letterforms that rely on their outer silhouette more than internal detail for recognition.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸