Sans Superellipse Agniw 12 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Core Sans D' and 'Core Sans DS' by S-Core, 'Artico' and 'Coben' by cretype, and 'Pulse JP' and 'Pulse JP Arabic' by jpFonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, wayfinding, branding, industrial, utilitarian, retro, signage, confident, space saving, strong presence, geometric coherence, friendly utility, condensed, rounded corners, compact, monoline, clean.
A compact, condensed sans with monoline strokes and rounded-rectangle (superellipse) construction. Curves are squared off into soft corners, giving bowls and counters a boxy, engineered feel rather than a purely circular one. Terminals tend to be blunt and clean, and the overall rhythm is tight with relatively narrow apertures and compact interior spaces. Numerals follow the same rounded-rect logic, staying sturdy and highly uniform in stroke behavior.
This style works best where space is limited and impact is needed—headlines, posters, labels, and packaging. The condensed build also suits wayfinding and UI elements that benefit from compact line lengths and strong shape consistency. It can be effective for short text blocks and callouts where a structured, engineered voice is desired.
The overall tone feels practical and industrial, like labeling used in equipment, wayfinding, or packaging. Its softened corners keep it approachable, while the compressed proportions and solid forms make it feel confident and no-nonsense. The result reads as slightly retro-modern—mechanical, but not cold.
The design appears aimed at delivering a sturdy, space-efficient sans that stays friendly through rounded corners while preserving an industrial, constructed geometry. Its consistent superelliptical forms suggest an intention to create a distinctive, system-like texture across both uppercase and lowercase for display-forward typography.
The letterforms show consistent corner radiusing and restrained shaping, which helps text blocks look orderly and even. Round letters (like O/C/G) retain a distinctly squarish silhouette, and the lowercase maintains straightforward, functional proportions suited to compact setting.