Print Kobof 1 is a bold, normal width, low contrast, upright, short x-height font.
Keywords: kids media, packaging, posters, social graphics, headlines, playful, casual, friendly, handmade, bubbly, approachability, informality, handmade texture, high readability, rounded, brushy, soft terminals, lively rhythm, chunky.
A chunky, rounded hand-drawn print with softly irregular stroke edges and gently wobbling curves that preserve a consistent overall color. Forms are simplified and open, with broad bowls and generous counters, while terminals tend to be blunted or slightly tapered like a marker/brush lift. Proportions vary from glyph to glyph, contributing to an organic rhythm; uppercase feels tall and buoyant, and lowercase is compact with simple, single-storey constructions where applicable. Numerals match the same soft, heavy shapes, reading clearly with a deliberately informal finish.
Well-suited for children’s materials, playful branding, casual packaging, event posters, and social media graphics where a personable, hand-rendered voice is desired. It performs best in short to medium text—titles, callouts, labels, and pull quotes—where its bold, rounded shapes and lively irregularity can carry the tone.
The font conveys an upbeat, approachable tone—more doodled than formal—suggesting spontaneity and warmth. Its rounded weight and uneven hand pressure give it a friendly, slightly goofy character that feels conversational and kid-adjacent without becoming overly decorative.
The design appears intended to mimic quick marker lettering with a friendly, approachable silhouette and enough consistency to stay readable in continuous text. Its simplified shapes and soft terminals prioritize warmth and informality over precision, giving designers an easygoing handwritten texture without connected script behavior.
Spacing appears comfortable and the texture stays fairly even in longer text, though the hand-drawn irregularities remain visible at both display and paragraph sizes. Round letters (like O and C) lean toward near-circular shapes, while diagonals and joins (like in K, M, W) keep a brushy, imperfect edge that reinforces the handmade feel.