Sans Contrasted Tiza 10 is a bold, normal width, very high contrast, upright, short x-height font.
Keywords: headlines, posters, branding, logotypes, packaging, techno, retro, industrial, futuristic, modular, display impact, tech aesthetic, modular forms, stylized legibility, rounded corners, rectilinear, squared, condensed caps, extended ascenders.
A rectilinear sans with squared outlines and softened corners, built from mostly vertical stems and flat terminals. The design alternates between heavy structural strokes and thin internal cut-ins, producing a stencil-like rhythm inside otherwise solid forms. Counters are compact and often rectangular, with frequent notches and inset joins that create distinctive interior gaps (notably in curves and bowls). Proportions are slightly narrow in many capitals, while several lowercase letters have tall ascenders and narrow bodies, yielding a crisp, engineered texture with tight apertures and angular turns.
Best suited to display settings where its angular geometry and internal cut-ins can be appreciated, such as headlines, posters, brand marks, packaging, and tech-themed graphics. It can also work for short UI labels or signage-style typography when used at generous sizes and with comfortable tracking.
The overall tone feels techno and industrial, with a retro-futurist flavor reminiscent of signage, sci‑fi interfaces, and modular hardware labeling. Its geometric construction and deliberate cutaways give it an assertive, mechanical voice that reads as designed and systematic rather than handwritten or organic.
The design appears intended to deliver a futuristic, modular sans voice by combining blocky outer silhouettes with precise internal cutouts. The emphasis is on strong presence and a distinctive, engineered texture that differentiates titles and identities.
The figure set follows the same squared logic, with stylized curves and occasional open or clipped joins that emphasize the font’s constructed look. Spacing appears designed for display impact: the forms are visually dense, and the thin interior strokes and inset details become more prominent as size increases.