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Free for Commercial Use

Solid Moma 8 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Knicknack' by Great Scott, 'BAQ Rounded' by HyperFluro, 'Big Black' by T-26, and 'Primal' by Zeptonn (names referenced only for comparison).

Keywords: posters, stickers, headlines, packaging, kids media, playful, goopy, cartoon, attention grab, cartoon mood, silhouette focus, rounded, blobby, soft, chunky, puffy.


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A super-heavy, rounded display face built from blobby, almost liquid silhouettes. Strokes are swollen and uneven in a deliberate way, with frequent bulbous terminals and occasional pinched joins that create an organic, hand-formed rhythm. Counters are largely collapsed, so many letters read as solid shapes with only small notches or cavities, and the overall texture becomes a dense, ink-spot black. Proportions lean toward a tall lowercase with compact ascenders and irregular character widths, giving the line a bouncy, lopsided cadence.

Best suited to short, high-impact display settings such as posters, event flyers, playful branding, packaging callouts, stickers, and social graphics. It can work for punchy headlines or logo-style wordmarks where the silhouette is the primary identifier, but it is less appropriate for long passages or small UI text.

The font conveys a playful, mischievous tone—like dripping paint, squishy foam, or cartoon cutouts. Its heavy mass and softened edges feel friendly rather than aggressive, but the near-solid interiors add a bold, attention-grabbing presence.

The design appears intended to prioritize bold silhouette and character over traditional readability, creating an intentionally messy, squishy aesthetic. By collapsing counters and exaggerating rounded mass, it aims to produce a distinctive novelty look that reads as fun, tactile, and cartoon-like at display sizes.

Because many internal openings are reduced, similar shapes can merge visually at smaller sizes, and spacing appears tight in continuous text. It performs best when given generous tracking and room to breathe, where the quirky contours and silhouette-based letterforms stay distinct.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸