Cursive Deluh 11 is a light, very narrow, medium contrast, italic, very short x-height font.
Keywords: branding, packaging, headlines, social media, quotes, casual, lively, airy, handmade, elegant, handwritten feel, signature look, personal tone, display impact, quick strokes, monoline, brushy, loose, slanted, expressive.
A slanted handwritten script with brisk, looped movement and a mostly monoline stroke that swells subtly at curves and turns. Letterforms are tall and lean with long ascenders/descenders and a compact lowercase body, giving the set a nimble, vertical rhythm. Strokes taper to pointed terminals, crossbars are quick and slightly angled, and bowls tend to stay open rather than fully closed, preserving a light, sketch-like texture. Spacing and character widths vary naturally, with occasional overlaps and irregular joins that reinforce an authentic pen-drawn cadence.
Works well for branding accents, packaging labels, posters, and social graphics where a personal handwritten feel is desired. It’s strongest in headlines, names, and short statements, and can add warmth as a secondary voice paired with a clean sans for supporting text. For best clarity, use at moderate-to-large sizes and allow comfortable tracking in longer lines.
The overall tone is informal and personable, like quick, confident handwriting used for notes or signatures. It feels upbeat and contemporary, with enough refinement in the curves and loops to read as stylish rather than rough. The slant and tall proportions add a hint of elegance while keeping the voice friendly and approachable.
The design appears intended to capture quick, stylish handwriting with an energetic slant and natural variability, prioritizing personality and flow over strict regularity. Its tall, lean construction and tapered ends suggest a goal of delivering a signature-like presence that feels modern, light, and expressive in display contexts.
Uppercase forms are especially gestural, often built from single sweeping strokes and generous loops, which makes them eye-catching in short words but more dominant in long all-caps settings. Lowercase shapes are simple and fast, with small counters and understated entry/exit strokes; the result is a light texture that benefits from a bit of size. Numerals follow the same handwritten logic, mixing open curves and brisk diagonals for a cohesive set.