Sans Superellipse Akto 1 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Ramsey' by Associated Typographics, 'Geogrotesque Sharp' and 'Geogrotesque Stencil' by Emtype Foundry, and 'Manual' by TypeUnion (names referenced only for comparison).
Keywords: ui text, signage, dashboards, branding, packaging, techy, industrial, clean, utilitarian, modern, systematize forms, maximize clarity, add softness, modernize tone, squared, rounded corners, condensed feel, monoline, high legibility.
A monoline sans with squared, superellipse-driven curves and generously rounded corners. Strokes are even and crisp, with straight-sided verticals and horizontal terminals that read as cut cleanly rather than tapered. Round letters like O and Q use rounded-rectangle geometry, while counters stay open and orderly, giving the design a tidy, engineered rhythm. The lowercase follows the same squared-soft logic, with compact joins and simple, functional detailing; numerals are similarly rectilinear with softened corners for continuity.
It works well where clarity and a technical feel are needed, such as UI components, product interfaces, wayfinding, and informational graphics. The sturdy, squared forms also suit contemporary branding and packaging that aims for a modern, engineered look.
The overall tone feels technical and practical, suggesting contemporary interfaces, equipment labeling, and system typography. Its softened corners keep it approachable, but the geometry remains firmly structured, creating an efficient, no-nonsense voice.
The design appears intended to blend strict geometric construction with softened corners, delivering a modern sans that reads clearly while projecting a technical, industrial character. Its consistent superellipse forms across letters and numerals suggest an emphasis on systematized shapes and repeatable geometry for coherent text and display use.
The font maintains a consistent corner radius and stroke weight across letters and digits, producing a cohesive texture in both the grid and the paragraph sample. Angular diagonals (such as in A, K, V, W, X, Y) contrast with the rounded-rectangle bowls, reinforcing a disciplined, modular aesthetic.