Sans Superellipse Siraw 6 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, logos, packaging, sturdy, modern, confident, industrial, friendly, display impact, modern identity, compact economy, geometric consistency, rounded corners, rectilinear curves, soft terminals, compact apertures, blunt joins.
A heavy, monoline sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and even, with minimal modulation and mostly closed or narrow apertures that create dense, compact counters. Curves feel squared-off rather than purely circular, and many joins and terminals are blunt, giving letters a solid, poster-ready silhouette. Proportions are slightly condensed with tight internal space, while spacing remains consistent enough to keep words cohesive at display sizes.
This font works best for headlines, short copy, and branding where a bold, compact silhouette needs to hold attention. It suits posters, packaging, labels, and logo wordmarks, especially in contexts that benefit from a modern, industrial-leaning sans with softened edges. For longer text, larger sizes and generous leading help preserve clarity.
The overall tone is strong and contemporary, balancing an industrial firmness with approachable rounding. It reads as confident and attention-grabbing, with a slightly retro tech feel due to its squared curves and compact counters. The heaviness and rounded geometry give it a friendly presence without becoming playful.
The design appears intended to deliver maximum impact through thick, uniform strokes and a consistent rounded-rectangular geometry. It prioritizes strong shape recognition and a cohesive, modern rhythm over open, text-oriented apertures, aiming for display clarity and distinctive branding character.
Digit forms are simple and emphatic, matching the letterforms’ rounded-rectilinear logic and maintaining strong vertical stress. The sample text suggests best readability when given adequate size and breathing room, as the tight apertures and dense counters can visually darken in longer lines.