Distressed Uhni 3 is a very bold, very narrow, high contrast, upright, normal x-height font visually similar to 'Cyclone' by Hoefler & Co. (names referenced only for comparison).
Keywords: posters, headlines, packaging, album art, event flyers, grunge, vintage, pulp, rough, industrial, distressed print, rugged impact, retro texture, handmade feel, textured, weathered, inked, uneven, hand-printed.
A condensed display face with heavy, inky letterforms and pronounced distressing throughout. Strokes are mostly vertical and blocky, with compact counters and simplified terminals that read like stamped or roughly screen-printed shapes. Edges show consistent chipping and abrasion, and some interiors exhibit speckling and worn patches, creating a rugged texture while maintaining clear silhouettes. Spacing is fairly tight and the overall rhythm feels energetic due to irregular contours and slightly inconsistent stroke boundaries.
Works best for short, high-impact setting such as posters, titles, album covers, and promotional graphics where texture is desirable. It also suits packaging and labels that aim for a rugged, handcrafted or vintage-printed look, and can add character to signage-style applications when used at display sizes.
The font conveys a gritty, hands-on tone—evoking worn signage, DIY posters, and aged print ephemera. Its distressed texture adds urgency and attitude, lending a raw, punchy voice that feels both retro and streetwise.
Likely designed to mimic ink-heavy, worn printing—combining a compact, condensed structure with deliberate abrasion to suggest age, friction, and imperfect reproduction. The goal appears to be immediate visual impact with an authentic distressed feel rather than clean typographic neutrality.
The distressed pattern is strong enough to become a key visual feature, especially at larger sizes; at small sizes the interior wear and tight counters may reduce clarity. The numerals and capitals appear especially sturdy and poster-ready, with the texture helping large headlines feel tactile and imperfect in an intentional way.