Slab Square Urny 9 is a light, normal width, medium contrast, italic, normal x-height font visually similar to 'Joanna Nova' by Monotype (names referenced only for comparison).
Keywords: editorial, book typography, magazines, long-form text, quotations, bookish, classic, calm, refined, literary, text emphasis, editorial tone, classic readability, literary voice, slab serif, bracketed serifs, calligraphic, crisp, oldstyle figures.
This typeface is an italic slab serif with crisp, square-shouldered forms and clearly articulated, bracketed slab serifs. Strokes show a gently calligraphic modulation, with smooth entry/exit curves and a consistent rightward slant that reads fluid rather than rigid. Proportions feel traditional and text-oriented: capitals are stately and open, while lowercase forms maintain a steady rhythm with rounded counters and neatly finished terminals. Numerals appear oldstyle with varying heights and some descending forms, matching the italic text tone and keeping color even in running settings.
It suits editorial and book-oriented composition where an italic slab serif can add emphasis without breaking texture—such as pull quotes, intros, captions, and literary packaging. It can also work for refined headings that benefit from an italic voice while maintaining strong serif structure.
Overall, the font conveys a bookish, classic tone—measured and cultured, with a quiet elegance. The italic movement adds a hint of warmth and momentum, making it feel appropriate for literary or editorial voices rather than overtly technical or loud branding.
The design appears intended to blend the sturdiness and clarity of slab serifs with an italic, calligraphic flow for comfortable reading and tasteful emphasis. Its consistent rhythm, bracketed serifs, and oldstyle numerals suggest a focus on traditional text setting and classic editorial polish.
In the sample text, the spacing and joins produce an even typographic color, and the serifs remain present without becoming heavy or clunky. The italic construction favors readable, humanist shapes, and the oldstyle numerals reinforce a traditional, text-first personality.