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Sans Contrasted Udga 2 is a very bold, narrow, high contrast, upright, normal x-height font visually similar to 'EF Radiant' by Elsner+Flake and 'BAR SADY' by Machalski (names referenced only for comparison).

Keywords: headlines, posters, editorial, branding, packaging, assertive, classic, authoritative, sporty, impact, space saving, hierarchy, clarity, condensed, compact, vertical stress, bracketed curves, tight apertures.


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This typeface presents a compact, condensed build with tall capitals, short extenders, and a tightly packed rhythm. Strokes show pronounced contrast, with strong vertical stems and noticeably thinner joins and diagonals, giving letters a crisp, carved feel. Curves are rounded but controlled, with relatively tight apertures in forms like C, S, and e, and a generally vertical stress that keeps the texture upright and dense. The lowercase is sturdy and legible, with a single-storey g and a compact, looped descender on y; numerals are bold and aligned, with clear differentiation between figures such as 0, 8, and 9.

It is well suited for headlines, mastheads, posters, and promotional typography where strong presence and space efficiency are priorities. It can also work for branding and packaging that needs a compact wordmark-like feel, while longer passages will read best at larger sizes with extra spacing.

The overall tone is bold and declarative, suited to messaging that needs to sound confident and immediate. Its condensed, high-impact texture reads as editorial and headline-driven, with a slightly classic, poster-like seriousness rather than a playful or casual voice.

The design intent appears focused on delivering maximum impact within narrow measure, combining a condensed silhouette with contrasting strokes to create a bold, attention-grabbing texture. It aims for clear, sturdy letterforms that retain character and hierarchy in display settings.

In text, the heavy weight and narrow widths create a dark, continuous typographic color, especially in long lines. The contrast and tighter apertures suggest it will benefit from comfortable tracking and generous line spacing when used beyond display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸