Slab Square Vepo 6 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, book covers, packaging, branding, whimsical, storybook, decorative, retro, enigmatic, distinctiveness, decoration, thematic display, vintage flavor, playfulness, flared, spurred, curvilinear, ornamented, open counters.
A light, upright display face with slab-like, square-ended finishing and frequent spur details. Strokes are generally even, with smooth curves and softly tapered joins that keep the texture airy rather than heavy. Several capitals and figures incorporate distinctive interior cutouts (diamond or teardrop-like counters), while bowls and rounds (C, O, Q, e, 0) stay open and generously proportioned. Serifs and terminals often appear as short, flat tabs, giving a crisp baseline rhythm despite the curvy letterforms and occasional swash-like hooks (notably on S, J, g, and some numerals).
Best suited to headlines and short to medium text where its interior cutouts and spurred terminals can be appreciated—book covers, editorial titles, posters, packaging, and brand marks. It can work for thematic pull quotes or chapter openers, but the decorative counters may feel busy at small sizes or in dense body copy.
The overall tone is playful and slightly mysterious—part fairytale, part vintage signage. The ornamental counters read like inlaid shapes, adding a handcrafted, puzzle-like charm that feels more expressive than neutral. It balances refinement with quirk, suggesting a friendly but distinctive voice.
The letterforms appear designed to provide a recognizable, characterful serif with slab-like finishing while remaining light and readable. The recurring interior cutouts suggest an intention to create a signature motif that distinguishes the font in display settings and themed typography.
The design mixes classical proportions with idiosyncratic details: tall, elegant capitals, lively lowercase with occasional single-storey forms, and numerals that lean decorative. The internal cutouts create strong identifying moments, but also increase visual activity in running text, making the face feel more like a display serif than a workhorse text design.