Sans Superellipse Uhro 3 is a bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, game ui, tech branding, techno, futuristic, industrial, retro game, utilitarian, interface styling, sci-fi display, geometric uniformity, branding impact, modular construction, square-rounded, modular, angular, chamfered, high contrast.
A geometric sans built from rounded-rectangle and superelliptic forms, with thick, even strokes and squared counters. Corners are consistently softened, while many joins and terminals use crisp chamfers that create a subtly faceted rhythm. Proportions skew broad and stable, with generous horizontal spans, compact apertures, and a largely orthogonal construction; diagonals (as in K, V, W, X, Y) are straight and sharply integrated into the rectilinear system. Numerals follow the same boxy logic, producing a cohesive, display-forward texture in lines of text.
This font is well suited to headlines, posters, packaging, and identity work where a futuristic, engineered voice is desired. It also fits UI titling for games or tech products, signage-style labels, and short blocks of emphasis text where its compact apertures and strong modular rhythm can work as a visual feature.
The overall tone is technological and system-like, evoking sci‑fi interfaces, arcade-era graphics, and industrial labeling. Its blocky geometry and squared interior spaces read as assertive and controlled, with a clean, engineered feel rather than a friendly or humanist one.
The design appears intended to translate rounded-rectangle geometry into an all-purpose display sans: consistent stroke weight, strict alignment to horizontal and vertical axes, and standardized corner treatments that keep the alphabet uniform and highly stylized. The result prioritizes a digital/industrial character and instant recognizability over traditional text neutrality.
Uppercase and lowercase are closely related in structure, emphasizing consistency over calligraphic distinction. The face relies on strong silhouettes and simplified internal shapes, which makes it impactful at larger sizes but gives it a deliberately mechanical color in paragraphs.