Sans Other Lodav 2 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: headlines, branding, posters, packaging, ui accents, futuristic, playful, techy, modular, retro, distinctive texture, modular system, tech display, brand signature, rounded, stenciled, gapped, geometric, soft corners.
A rounded geometric sans with monoline strokes and frequent stencil-like breaks that interrupt bowls, stems, and crossbars. Terminals are softly radiused, and many joins are simplified into clean, modular segments, creating a constructed, component-based look. Curves are broadly circular (notably in C/O/Q and the numerals), while diagonals in letters like K, V, W, X, and Y are straight and slightly mechanical. The overall rhythm is open and airy because internal counters and exterior outlines are often separated by deliberate gaps, producing a distinctive segmented silhouette across both uppercase and lowercase.
Best suited for headlines, logos, and short display copy where its segmented forms can be appreciated at larger sizes. It can work well for tech-themed branding, packaging, posters, and interface accents where a distinctive, modular texture is desirable. For long passages, the repeated gaps may become visually busy, so it’s most effective when used selectively.
The segmented construction lends a futuristic, gadget-like tone, while the rounded corners keep it friendly and approachable. It reads as experimental and design-forward—more “display tech” than utilitarian signage—evoking retro-future interface graphics and modular lettering systems.
The design appears intended to reinterpret a clean geometric sans through a stencil/segmented construction system, creating a recognizable signature without adding decorative serifs. The consistent breaks and rounded geometry suggest an emphasis on modularity and a contemporary tech aesthetic while retaining a friendly, accessible feel.
In text, the repeated mid-stroke breaks become a strong texture, especially in round letters (o, e, g, 8, 9) where the split contour is highly noticeable. The lowercase shows single-storey forms (a, g) and simplified details, reinforcing the geometric, built-from-parts theme. Numerals follow the same interrupted-outline logic, maintaining consistency between letters and figures.