Sans Superellipse Imlih 2 is a bold, very wide, low contrast, italic, normal x-height font.
Keywords: sports branding, racing livery, tech ui, gaming titles, posters, futuristic, sporty, technical, dynamic, aggressive, convey speed, modernize branding, interface styling, impact display, extended, oblique, squared, rounded corners, geometric.
A wide, oblique sans with a geometric construction built from rounded-rectangle curves and crisp, chamfer-like joins. Strokes stay largely uniform, with tight counters and compact apertures that emphasize a solid, machined silhouette. Terminals are predominantly angled or cut flat, and many forms use squarish bowls and superelliptical corners, creating a sleek, aerodynamic rhythm. Numerals and capitals appear especially engineered, with consistent rounding, sturdy horizontals, and a forward-leaning stance.
It works best in short, high-impact settings such as sports marks, racing-themed graphics, gaming titles, product badges, and punchy poster headlines. In UI or interface-style graphics it can reinforce a tech-forward aesthetic, especially for labels and display copy where the wide footprint and tight apertures remain comfortably legible.
The overall tone is fast, modern, and performance-oriented, evoking motorsport, sci‑fi interfaces, and contemporary sports branding. Its slanted posture and hard-edged rounding give it an energetic, assertive voice that feels designed for motion and impact rather than softness or tradition.
The design appears intended to deliver a streamlined, speed-centric display voice by combining extended proportions with superelliptical rounding and angular cuts. The goal seems to be a cohesive, industrial geometry that reads as modern and engineered, optimized for branding and attention-grabbing headlines.
Spacing and internal shaping favor a compact, logo-like read: counters are kept relatively small, and the rounded-square geometry repeats across letters and numbers for strong stylistic coherence. The oblique angle is pronounced enough to feel intentional and directional, while the rounded corners prevent the forms from becoming harsh.