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Free for Commercial Use

Wacky Ebnuh 3 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Cosmic Lager' by Vozzy (names referenced only for comparison).

Keywords: posters, headlines, packaging, game ui, comics, quirky, playful, hand-cut, cartoonish, offbeat, standout display, handmade feel, quirky branding, compact impact, blocky, condensed, uneven, notched, stencil-like.


Free for commercial use
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This typeface is built from tall, compact, blocky forms with minimal contrast and a distinctly irregular edge treatment. Strokes look hand-cut, with slightly wobbly sides, pinched joins, and occasional notches that break up otherwise rectangular geometry. Counters are small and often squared, and terminals tend to be blunt, giving the alphabet a chunky, poster-like silhouette despite its tight proportions. Spacing and widths vary subtly from glyph to glyph, reinforcing an intentionally unpolished, handmade rhythm.

Best suited for headlines, posters, short slogans, and branding moments that want a playful, handmade edge. It can work well for entertainment and youth-oriented design, game or app UI labels, and packaging that aims for a quirky, boutique feel. Use it primarily at medium-to-large sizes where the carved-in details remain clear.

The overall tone feels mischievous and eccentric, like a DIY sign or cartoon title card. Its imperfect edges and angular quirks read as intentionally “wacky,” adding personality and motion even in static text. The result is bold and attention-seeking, but with a lighthearted, scrappy charm rather than a polished industrial feel.

The design intent appears to be a deliberately irregular, display-forward alphabet that mimics cut-paper or hand-stamped lettering while retaining strong, geometric backbone shapes. Its condensed stance maximizes impact in tight horizontal space, and the notches and uneven contours provide the distinctive novelty character.

The font stays highly legible at display sizes, where the small counters and idiosyncratic cut-ins become part of the character. In longer lines, the tight, condensed shapes and irregular detailing can create a busy texture, so it benefits from generous tracking and short bursts of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸