Sans Superellipse Gimob 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Sicret' and 'Sicret Mono' by Mans Greback (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, branding, retro, playful, techy, chunky, friendly, display impact, retro-tech feel, brand distinctiveness, geometric consistency, friendly strength, rounded, superelliptical, geometric, compact, sturdy.
A heavy, geometric sans built from rounded-rectangle and superellipse forms. Strokes are consistently thick with softened corners, creating a smooth, compact silhouette and a tight internal-counter rhythm. Curves tend to resolve into squared-off arcs rather than true circles, and terminals are blunt, giving letters a blocky, engineered feel. Several glyphs show deliberate cut-ins and notches (notably in curves and joins), adding graphic texture and helping define counters in the dense weight.
Best suited to headlines, posters, and logo/brand marks where the dense weight and distinctive cut-in details can be appreciated. It also fits packaging and attention-grabbing UI or splash screens, especially where a retro-tech or playful industrial voice is desired. For longer passages, it will be most effective in short bursts such as subheads, labels, or calls to action.
The overall tone is bold and upbeat, mixing retro sign-painter energy with a slightly futuristic, modular sensibility. Its rounded squareness feels friendly rather than aggressive, while the sharp notches introduce a confident, stylized edge.
The font appears designed to deliver maximum impact through compact, rounded-rect geometry and consistent stroke weight, combining friendly curves with purposeful notches for a stylized, constructed look. The goal seems to be a memorable display face that feels both retro and modern, optimized for bold graphic communication.
The design emphasizes strong, closed shapes and distinctive negative spaces, which makes individual letterforms memorable at display sizes. The numerals follow the same rounded-rect geometry, with simplified, high-impact forms that read as utilitarian and poster-ready rather than delicate or bookish.