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Serif Flared Tyla 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Myriad', 'Myriad Bengali', and 'Myriad Devanagari' by Adobe; 'OL Signpainter Titling' by Dennis Ortiz-Lopez; 'Crostea' by Drizy Font; 'Hoektand' by Frantic Disorder; and 'Clear Sans Text' by Positype (names referenced only for comparison).

Keywords: headlines, editorial, book covers, posters, branding, heritage, authoritative, warm, stately, impact, tradition, readability, craft, bracketed, calligraphic, ink-trap feel, broad-shouldered, soft terminals.


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A sturdy serif with broad proportions, rounded counters, and gently modulated strokes that stay mostly even in weight. Stems and arms finish in flared, wedge-like serif forms with soft bracketing, giving corners a slightly calligraphic, carved feel rather than sharp mechanical cuts. Curves are full and smooth (notably in C, G, O, S), while horizontals and diagonals keep a consistent, confident rhythm. The lowercase shows compact, robust shapes with a single-storey g, a deep-shouldered r, and a t with a wide crossbar and substantial foot; numerals are heavy and rounded, designed to hold their shape at display sizes.

Best suited for headlines and short-to-medium passages where a strong typographic voice is desired, such as editorial titles, book and magazine covers, posters, and brand marks. It can also work for pull quotes and section openers where a traditional serif presence and high visual density are beneficial.

The overall tone is classic and assured, with a literary, old-world warmth. Its flared serif behavior adds a crafted, engraved impression that reads as traditional and trustworthy without feeling delicate.

The design appears intended to deliver a bold, authoritative serif texture with handcrafted flare at stroke endings, balancing classic bookish cues with high-impact display legibility. It prioritizes a stable baseline, generous curves, and emphatic terminals to create a distinctive, confident reading color.

Large apertures and open bowls help maintain clarity despite the heavy weight. The italic is not shown; the sample demonstrates strong headline color, tight inner spacing, and a slightly condensed feel in some capitals due to the broad vertical emphasis and firm terminals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸