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Free for Commercial Use

Distressed Rarub 1 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Chubbét' by Emboss, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Helvetica Now' by Monotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, event promo, rugged, playful, grunge, handmade, punchy, add texture, create impact, analog feel, casual display, vintage print, rough edges, inked, chipped, blotchy, compact.


Free for commercial use
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A heavy, compact display face with rounded, blocky silhouettes and softened corners, rendered with an intentionally worn surface. Strokes are thick and fairly uniform, while counters and terminals show irregular nicks, dents, and ink-breaks that create a printed, weathered texture. The lowercase is sturdy and readable with simple, single-storey forms, and the overall rhythm is slightly uneven due to the distressed detailing and subtly varied glyph shapes.

Best suited to short, high-impact text such as posters, titles, product packaging, merch graphics, and promotional materials where texture is desirable. It can also work for signage or social graphics when set large, where the worn details can read clearly and add character.

The font conveys a bold, rough-and-ready attitude with a friendly, slightly humorous edge. Its distressed texture reads as analog and tactile—like ink pressed onto paper—giving headlines an energetic, imperfect character rather than a polished corporate tone.

This design appears intended to deliver maximum impact with a deliberately imperfect, lived-in finish—combining chunky, approachable shapes with a distressed print texture to suggest authenticity and hands-on production.

The distress appears both along outer contours and within filled areas, producing speckling and small voids that become more prominent at larger sizes. Because the texture is integral to each letterform, very small sizes may lose clarity as the wear pattern competes with counters and joins.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸