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Free for Commercial Use

Sans Contrasted Rares 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Rotulo' by Huy!Fonts, 'Praxis Next' by Linotype, 'Diple' by Monotype, 'Gosent' by NamelaType, 'PG Gothique' by Paulo Goode, 'Dilemma' by Sudtipos, and 'Indecise' by Tipo Pèpel (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, sports, assertive, industrial, retro, impactful, rugged, display impact, signage feel, brand presence, bold readability, blocky, chunky, compressed counters, high-ink, sturdy.


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A heavy, block-driven typeface with compact interior counters and squared-off terminals that keep the silhouette dense and forceful. Curves are broadly rounded but controlled, while joins and corners often resolve into straight, cut-in shapes that give letters a chiseled, engineered feel. Stroke modulation is present but subdued, showing up as subtle thick–thin shifts rather than calligraphic sweep, and the overall rhythm favors solidity over delicacy. Numerals and capitals read as tall, poster-like forms with strong vertical emphasis and minimal ornament.

Best suited to headlines, display typography, and short bursts of copy where maximum impact is the priority. It can work well for bold branding, packaging, labels, and poster graphics—especially when set with generous tracking or at larger sizes to preserve internal detail.

The font projects a confident, no-nonsense tone with a hint of vintage signage and industrial utility. Its dark color and tight apertures feel bold and authoritative, leaning toward loud, attention-first messaging rather than quiet refinement.

The design appears intended to deliver high-impact display performance with a sturdy, utilitarian character. Its compact counters and blocky construction suggest a focus on strong presence in signage-style compositions and brand marks that need to feel tough and immediate.

In text settings the dense texture can cause counters and apertures to close up, especially in letters like a, e, s, and g, so spacing and size choices strongly affect clarity. The design’s cut-ins and blunt terminals create distinctive shapes that help headlines stand out, but they also amplify the overall darkness on the page.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸