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Sans Other Otze 1 is a bold, very wide, low contrast, upright, tall x-height font.

Keywords: headlines, branding, posters, ui labels, game titles, techno, futuristic, industrial, arcade, mechanical, futurism, interface design, impactful display, modular construction, genre signaling, geometric, modular, square, angular, monolinear.


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A geometric, modular sans built from squared strokes and hard corners, with occasional 45° chamfers that break up the otherwise rectilinear construction. Strokes are consistently thick and even, producing a monolinear, low-detail silhouette with strong pixel-like rhythm. Counters tend toward rectangles and slots, with open apertures in letters like C and G, and straight-sided bowls in O, P, and D. The lowercase follows the same engineered logic, using simplified forms and compact joins, yielding a sturdy, sign-like texture in running text.

Best suited to display settings where a crisp, technological voice is desired: headlines, branding marks, product naming, posters, and interface or control-label style text. It can also work for short bursts of copy in game menus, sci-fi themed layouts, or packaging, where its modular rhythm and squared counters reinforce a constructed, industrial aesthetic.

The overall tone reads distinctly technological and game-adjacent, evoking sci-fi interfaces, arcade titles, and industrial labeling. Its squared geometry and uniform stroke treatment feel mechanical and programmed rather than humanist, giving it a confident, utilitarian energy. The angular cuts add a subtle sense of motion and precision without becoming decorative.

The font appears designed to deliver a bold, engineered sans with a modular grid-based feel, balancing readability with a strong genre signal. By using squared bowls, slot-like counters, and selective chamfering, it aims to project a futuristic, machine-made character that holds up in compact, high-contrast display applications.

The design relies on repeated modules and straight segments, creating strong patterning across words and lines. Many glyphs prioritize iconic, stencil-like clarity over conventional typographic nuance, and the distinctive diagonals (notably in K, N, V, W, X, Y) provide contrast against the dominant horizontals and verticals. Numerals follow the same boxy logic, with simple, high-impact shapes intended to read quickly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸