Sans Other Ohli 3 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, gaming, techno, retro, industrial, futuristic, game ui, digital aesthetic, modular system, high impact, signage feel, square, angular, geometric, modular, monoline.
A geometric, square-built sans with heavy, monoline strokes and sharp corners throughout. Letterforms are constructed from straight segments and right angles, with rounded forms largely replaced by rectangular counters and chamfer-like diagonals where needed (notably in V/W/X and some joins). Counters tend to be boxy and open, and terminals are flat and abrupt, creating a crisp, stencil-like rhythm without actual breaks. The overall texture is dense and mechanical, with consistent stroke thickness and a tightly controlled, modular feel across capitals, lowercase, and numerals.
Best suited for display typography such as headlines, posters, title cards, and brand marks where a technological or industrial tone is desired. It can work well for game UI elements, product packaging, and event graphics, especially when set with generous tracking and ample size to preserve the squared details.
The font conveys a distinctly digital, techno mood with a retro arcade and industrial signage flavor. Its squared geometry and hard terminals feel utilitarian and engineered, projecting precision and a slightly aggressive, high-contrast-in-shape (not in stroke) presence suited to contemporary sci‑fi or electronic themes.
The design intention appears to be a modular, pixel-adjacent sans that modernizes retro digital aesthetics into a clean, geometric system. It prioritizes consistency, strong silhouette, and a mechanical rhythm over conventional humanist shaping, aiming for immediate impact in short text and branding.
The design leans on rectangular negative space and simplified joins, which strengthens coherence at display sizes but can make similar shapes (e.g., C/G/O/Q and some lowercase) feel intentionally uniform. Numerals follow the same boxy construction, reinforcing a system-like, interface-oriented voice.