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Free for Commercial Use

Inline Nufa 11 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Pujarelah' by Differentialtype (names referenced only for comparison).

Keywords: headlines, posters, packaging, mastheads, book covers, editorial, dramatic, classic, ornate, formal, engraved effect, display impact, heritage tone, luxury feel, serif, inline, didone-like, bracketed, ball terminals.


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A high-contrast serif with a pronounced inline cut that runs through the stems and bowls, creating a carved, dimensional look. The letterforms are bold and compact with sharp, triangular serifs and tapered joins that emphasize vertical stress. Curves are tight and glossy-looking due to the interior line, while counters stay relatively small, giving the design a dense, poster-like texture. The lowercase shows a traditional serif structure with a two-storey a, a compact e, and a distinctive g with a prominent lower loop, all rendered with the same engraved inline treatment.

Best suited to large sizes where the inline engraving can resolve cleanly—such as magazine headlines, theater and event posters, brand marks, and premium packaging. It can also work for short pull quotes or chapter openers where a dramatic, classic tone is desired, but it will feel heavy and busy for extended body text.

The font reads as theatrical and editorial, mixing classic bookish proportions with a showy, engraved finish. Its strong contrast and internal linework add a sense of luxury and spectacle, making even simple words feel ceremonious and headline-driven.

The design appears intended to deliver a traditional serif silhouette with added visual richness through an engraved inline, giving a vintage-display presence without relying on extreme ornamentation. It prioritizes impact and texture in titles and branding, using contrast and internal linework to suggest depth and craft.

The inline detail is consistent across capitals, lowercase, and numerals, producing a cohesive “carved” rhythm at display sizes. Pointed terminals and brisk curves (notably in S, G, and the numerals) heighten the energetic, slightly baroque character while remaining clearly upright and structured.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸