Font Hero

Free for Commercial Use

Solid Ahdi 3 is a very bold, narrow, low contrast, upright, short x-height font visually similar to 'Treadstone' by Rook Supply (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, album covers, playful, chunky, retro, poster, quirky, high impact, display branding, retro flavor, space saving, graphic texture, rounded, blocky, geometric, soft corners, tight spacing.


Free for commercial use
Customize the font name

A heavy, compact display face built from chunky strokes and softened corners, with a mostly monoline feel and squared terminals. Many counters are reduced to small apertures or fully closed, giving letters a dense, stencil-like silhouette; this is especially noticeable in bowls and enclosed forms. Curves are simplified into broad arcs and straight segments, producing a slightly irregular, hand-cut rhythm while maintaining strong vertical presence and clear baseline alignment. Numerals and lowercase share the same solid, compressed logic, with minimal interior detail and large, dark masses.

Best suited to large-scale display use where its solid shapes and reduced counters can be appreciated: headlines, poster typography, logos/wordmarks, packaging, and bold branding elements. It also works well for short bursts of copy or punchy labels where a strong, graphic texture is desired.

The overall tone is bold and playful, with a retro, sign-painting energy and a deliberately quirky texture. Its filled-in interiors and chunky geometry create a punchy, cartoonish voice that reads as fun and attention-seeking rather than formal or delicate.

The design appears intended to deliver maximum impact with a compact footprint, using collapsed counters and simplified geometry to create a distinctive, solid black presence. It prioritizes silhouette-based recognition and a playful, retro display character over conventional text readability.

Because many internal openings are collapsed, differentiation relies on outer silhouettes and a few strategic notches, so similar shapes can feel closer at small sizes. In longer lines the dense color and tight internal detail can make the texture feel heavy, while at larger sizes the distinctive cut-in shapes become a defining character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸