Print Odbuk 12 is a very bold, narrow, low contrast, italic, normal x-height font.
Keywords: posters, headlines, packaging, branding, social ads, playful, friendly, casual, retro, lively, hand-lettered feel, display impact, approachability, retro warmth, brushy, rounded, chunky, bouncy, informal.
A compact, brush-like italic with heavy, rounded strokes and softly tapered terminals that suggest a marker or sign-painting tool. Letterforms lean consistently forward with a bouncy baseline rhythm and subtly irregular stroke edges that keep it feeling hand-made rather than geometric. Counters are relatively tight and shapes are simplified, giving the alphabet a bold, poster-ready silhouette while maintaining readable proportions. Numerals match the same energetic, slightly pinched-and-swollen stroke behavior and soft, curved joins.
Well-suited for display applications such as posters, headlines, product packaging, and logo/wordmark-style branding where a friendly, hand-rendered presence is an asset. It also works well for promotional graphics and social media creative that needs bold, informal emphasis, especially at larger sizes.
The font conveys an upbeat, approachable tone with a nostalgic, hand-lettered flavor. Its forward slant and chunky brush shapes feel energetic and personable, leaning more toward fun and friendliness than formality. Overall, it reads like casual display lettering intended to catch attention without feeling rigid or corporate.
Designed to emulate quick, confident hand lettering with a brush or marker, prioritizing impact and personality over strict uniformity. The consistent forward motion and rounded, chunky forms suggest an intention to feel approachable and energetic while remaining legible in attention-grabbing display settings.
In longer text, the strong slant and dense black texture create a lively, high-impact color on the page, best suited to short-to-medium runs where personality is desired. The slightly uneven, hand-drawn contours add warmth and movement, especially at larger sizes where the brush character is most apparent.