Sans Superellipse Temof 4 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'Congress Sans' by Club Type and 'Mynor' by The Northern Block (names referenced only for comparison).
Keywords: posters, packaging, headlines, signage, stickers, playful, handmade, rustic, retro, friendly, handmade feel, display impact, friendly tone, retro print, textured, blunt, rounded, chunky, bouncy.
A chunky, slightly slanted sans with softly squared, superelliptical curves and blunt stroke endings. The letterforms are compact and upright in construction but carry an irregular, hand-cut texture along edges and terminals that gives the outlines a printed or stamped feel. Counters are generally open and simple, with rounded-rectangle bowls in letters like B, D, O, and P, while diagonals (A, V, W, X, Y) are sturdy and dark. Spacing reads a bit lively and uneven in a deliberate way, reinforcing the informal rhythm, and the numerals match the same blocky, rounded-rectangle construction and heavy presence.
Best suited to headlines and short blocks of text where its heavy color and textured edges can be appreciated—posters, event graphics, packaging labels, menu headers, and storefront or wayfinding signage. It can also work for playful editorial pull quotes or branding accents, especially when a handmade, tactile impression is desired.
The overall tone is casual and approachable, with a craft-like roughness that feels human rather than mechanical. It suggests playful signage, zine or poster typography, and a slightly vintage, screen-printed attitude while remaining clear at display sizes.
The design appears intended to blend bold, simplified sans construction with a deliberately imperfect, hand-printed finish. Its rounded-rectangle geometry and consistent chunky strokes aim for quick recognition, while the rough contours add personality and a crafted, analog feel.
The lowercase shows simplified, sturdy shapes with short ascenders/descenders and a compact silhouette; paired with the subtle slant, this creates forward motion without feeling cursive. The roughened contour treatment is consistent across caps, lowercase, and figures, so the texture reads as a core stylistic feature rather than incidental noise.