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Free for Commercial Use

Sans Superellipse Pygag 6 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Neue Plak' and 'Neue Plak Display' by Monotype, 'Hype Vol 1' by Positype, 'Amsi Grotesk' by Stawix, and 'Lektorat' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, industrial, condensed, utilitarian, modern, authoritative, space saving, high impact, clear labeling, modern branding, display utility, tall, compact, crisp, geometric, monoline.


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A tightly condensed sans with tall proportions and compact counters. Strokes are largely monoline and cleanly terminated, producing a crisp, poster-friendly texture. Rounds are built from squarish, superellipse-like curves, giving letters a slightly rectilinear softness rather than true circularity. Spacing is economical and the overall rhythm is vertical and compressed, with straightforward joins and minimal detailing.

Best suited to headlines and display sizes where its condensed width helps fit long words into tight spaces. It works well for posters, packaging, signage, and brand systems that need a strong, efficient typographic voice. In interfaces or editorial settings, it can serve effectively for short labels, section titles, and callouts where compactness and punch are priorities.

The font reads as direct and no-nonsense, with an industrial modern tone. Its condensed stance and squared curves project efficiency and firmness, feeling more utilitarian than playful. The overall voice is assertive and contemporary, suited to messaging that needs to feel controlled and high-impact.

This design appears intended to deliver maximum impact within minimal horizontal space, balancing strict vertical economy with softened, squared curves for a modern geometric feel. The goal seems to be a practical, high-contrast-in-presence (not stroke contrast) display tool that stays clean, legible, and assertive under tight layout constraints.

The uppercase and numerals appear particularly compact and emphatic, while the lowercase maintains clear, simple construction that favors clarity over characterful modulation. The superellipse-driven curves keep the design from feeling harsh, adding a subtle softness to an otherwise strict, engineered silhouette.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸