Script Tyluh 2 is a very light, normal width, very high contrast, italic, short x-height font.
Keywords: invitations, wedding, branding, logotypes, headlines, elegant, romantic, refined, airy, classic, calligraphic mimicry, display elegance, formal tone, decorative initials, swashy, ornate, calligraphic, delicate, hairline.
A delicate, calligraphic script with sweeping entry and exit strokes, hairline connectors, and pronounced thick–thin modulation. Letterforms lean strongly and move along a smooth, continuous rhythm, with looping ascenders/descenders and frequent swash-like terminals that extend beyond the core skeleton. The capitals are especially decorative, built from long curves and tapered strokes, while the lowercase maintains a narrow, flowing texture with a relatively modest x-height and tall extenders. Numerals follow the same cursive logic, using curved strokes and occasional flourished terminals to stay consistent with the alphabet.
Best suited for invitations, wedding stationery, and other formal announcements where elegance is the primary goal. It can also work for boutique branding, logotypes, and short headlines or pull quotes, especially when set at larger sizes with ample spacing to showcase the flourished forms.
The overall tone feels formal and romantic, with a light, graceful presence that reads as ceremonial and polished. Its high-contrast strokes and generous flourishes create a sense of luxury and tradition, leaning toward a classic invitation aesthetic rather than casual handwriting.
The font appears designed to evoke traditional pointed-pen calligraphy in a clean, repeatable digital form, emphasizing dramatic contrast and ornamental movement. Its structure prioritizes expressive capitals and graceful word shapes for display-oriented typography.
The design relies on fine hairlines and extended terminals, so spacing and overlap can become visually busy in dense settings; it benefits from breathing room and larger sizes where the thin strokes remain clear. The distinctive, expressive capitals work well as focal points, while the flowing lowercase creates a continuous, ribbon-like line in words and phrases.