Sans Superellipse Mabow 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Artegra Soft' by Artegra, 'MC Bolfy' by Maulana Creative, 'Interval Next' by Mostardesign, 'Core Sans N' and 'Core Sans NR' by S-Core, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, sports branding, playful, friendly, sporty, retro, punchy, display impact, friendly boldness, sense of motion, logo shapes, rounded, soft corners, compact, bouncy, chunky.
A heavy, slanted sans with softly squared, superellipse-like bowls and corners throughout. Strokes are uniformly thick with minimal contrast, and curves transition into flats in a smooth, rubbery way that gives counters a rounded-rectangle feel. Terminals are blunt and rounded, with tight apertures and compact internal spaces that emphasize mass and impact. The overall rhythm is lively and slightly irregular in width from glyph to glyph, producing a dynamic, hand-leaning flow while staying clean and geometric.
Best suited to short, high-impact text such as headlines, posters, labels, and brand marks where its bold, rounded shapes can carry the message. It also works well for energetic packaging and sports or entertainment graphics, and can serve as an attention-grabbing accent in UI or social content when used at larger sizes.
The font reads upbeat and approachable, with a bold, energetic presence that feels sporty and a bit retro. Its rounded geometry keeps the tone friendly rather than aggressive, while the strong slant adds motion and enthusiasm.
The design appears intended to combine strong display weight with a soft-edged, geometric friendliness, pairing high visibility with an informal, kinetic italic stance. Its superellipse construction suggests a goal of modern smoothness and consistent, logo-ready silhouettes.
Uppercase forms tend to feel compact and chunky, with simplified structure and softened joins. Lowercase shows single-storey construction where applicable (notably the “a”), and the numerals follow the same rounded, blocky logic for consistent texture in mixed settings.