Sans Faceted Omba 5 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bio Sans' and 'Bio Sans Soft' by Dharma Type, 'Corelia' by Hurufatfont, and 'Frygia' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, branding, sports graphics, wayfinding, technical, industrial, futuristic, sporty, utilitarian, geometric styling, tech aesthetic, industrial signage, sports tone, modern branding, octagonal, chamfered, angular, geometric, crisp.
A geometric sans built from straight strokes and chamfered corners, replacing most curves with short diagonal facets. Stems are even and monolinear, with squared terminals and consistent corner cuts that create an octagonal rhythm in round letters like C, G, O, Q, and 0. Proportions are clean and slightly condensed in the curves, while diagonals (A, V, W, X, Y) stay sharp and stable. Lowercase forms are simple and functional, mixing faceted bowls (a, g, e) with more linear constructions (i, l, r, t), yielding a clear, engineered texture in text.
Best suited to display roles where its cornered, technical character can be a feature: headlines, posters, branding systems, product/tech packaging, and sports or team-style graphics. It can also work for signage and wayfinding where a crisp, engineered tone is desired and sizes are generous.
The faceted geometry reads as engineered and modern, evoking hardware markings, athletic numbering, and sci‑fi interface lettering. Its sharp corners and modular construction feel purposeful and efficient rather than expressive or handwritten.
The design appears intended to translate a sans-serif skeleton into a faceted, planar style—maintaining straightforward letterforms while introducing consistent chamfers to suggest precision, durability, and a contemporary industrial voice.
The digit set emphasizes the same chamfered architecture, especially in 0, 6, 8, and 9, which appear nearly plaque-like and high-impact. In running text, the repeated corner cuts create a distinctive sparkle, so spacing and rhythm feel slightly more mechanical than a typical neo-grotesque.