Sans Superellipse Piluh 2 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Capzule' by Bogusky 2, 'Neue Kalimat' by Marvadesign, 'Maildore' by Maulana Creative, 'Base Neue' by Power Type, 'Robson' by TypeUnion, and 'Competition' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, poster, condensed, modern, authoritative, space-saving, maximum impact, graphic character, signage clarity, blocky, rounded, stencil-like, high-contrast, geometric.
A compact, tightly condensed sans with heavy, even stroke weight and rounded-rectangle construction. Curves resolve into softened corners and superelliptic bowls, while terminals are predominantly flat and squared, producing a blocky silhouette with controlled softness. Counters are small and vertically oriented, and the overall rhythm is dense, with occasional inner notches and incisions that read as stencil-like cut-ins on letters such as E, F, S, and some numerals. The result is a strong, vertical texture optimized for big sizes and short line lengths.
Best suited to headlines, posters, and bold branding where maximum impact is needed in minimal horizontal space. It can work well for packaging, event graphics, editorial display, and signage systems that benefit from a dense, vertical rhythm and a strong silhouette. Use with generous tracking and ample size when setting longer phrases.
The tone is bold and utilitarian, mixing a retro display energy with a contemporary industrial edge. Its compressed proportions and punchy blackness feel assertive and attention-grabbing, while the rounded geometry keeps it from feeling sharp or aggressive. The cut-in details add a subtle engineered, sign-paint, or poster-print vibe.
The design appears intended as a high-impact condensed display face built from rounded-rectangular geometry, prioritizing a strong silhouette and compact width. The consistent stroke and stencil-like cut-ins suggest an aim to add graphic character and improve differentiation without departing from a clean sans foundation.
In continuous text the tight apertures and compact counters create a dark, uniform color, so spacing and size will strongly affect legibility. The distinctive cut-ins and occasional asymmetries add personality and help differentiate similar shapes, but they also make the design feel intentionally graphic rather than purely neutral.