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Free for Commercial Use

Outline Anmo 10 is a bold, wide, high contrast, upright, normal x-height font.

Keywords: posters, headlines, signage, logotypes, packaging, victorian, circus, western, decorative, retro, poster impact, period revival, dimensionality, ornamentation, slab serif, inline, beveled, engraved, ornamental.


Free for commercial use
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A decorative slab-serif display face built from heavy outer contours with an internal inline/engraved cut that leaves the letterforms partially hollowed. The strokes show strong thick–thin play, with pronounced, bracketed slab serifs and sharp triangular joins in places, giving a carved, beveled feel. Counters are often interrupted by the inner linework, creating a layered outline-plus-inline structure that stays consistent across caps, lowercase, and numerals. Overall proportions are generous and horizontally confident, with a steady baseline and sturdy verticals that read clearly at headline sizes.

Best suited to posters, headlines, event titles, and branding moments where a period or theatrical tone is desired. It can work well for signage and packaging that benefits from an engraved, dimensional look. For smaller sizes or dense paragraphs, the internal detailing may become busy, so larger setting and generous tracking tend to showcase it best.

The font evokes Victorian-era posters and show-card lettering, blending a theatrical, circus-like energy with a hint of Western signage. Its hollowed, engraved detailing adds drama and a slightly gothic flourish without tipping into full blackletter. The result feels bold, attention-grabbing, and nostalgic.

The design appears intended to deliver classic show-poster impact through a robust slab-serif structure combined with hollowed inline detailing that suggests engraving or letterpress-era embellishment. Its consistent inner cut and bold exterior outline aim to create depth and ornament while preserving recognizable letter shapes for display readability.

Uppercase characters carry the strongest ornamental presence, while the lowercase maintains the same inline construction and chunky serifs for a cohesive texture in longer words. Numerals are similarly stylized and weighty, matching the display intent. The internal cutouts reduce solid black mass, helping large text feel lighter and more dimensional.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸