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Free for Commercial Use

Sans Normal Uklim 11 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Cronos' by Adobe, 'Norma' by Linotype, 'Alinea Incise' by Présence Typo, and 'Columbia Serial' and 'Sigvar Serial' by SoftMaker (names referenced only for comparison).

Keywords: ui text, branding, editorial, signage, presentations, modern, neutral, clean, corporate, confident, versatility, readability, clarity, system design, contemporary voice, geometric, smooth, rounded, crisp, balanced.


Free for commercial use
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This typeface presents as a clean, geometric sans with smooth, circular curves and a steady, even rhythm. Strokes feel consistent and confidently drawn, with subtly softened joins that keep forms from looking mechanical while staying crisp at edges. Counters are generous and open, round letters like C, O, and Q read clearly, and the lowercase shows straightforward constructions with single-storey a and g. Overall proportions are balanced, with compact curves and stable verticals that support clear word shapes in text.

It works well for interface copy and product surfaces where clarity and a composed texture are important, and it can also serve branding systems that want a modern, approachable sans. The even rhythm and open counters make it suitable for editorial layouts, headings, and practical signage where quick recognition matters.

The tone is modern and neutral, leaning professional and dependable rather than expressive. Its smooth geometry and controlled detailing give it a calm, contemporary voice suited to straightforward communication.

The design appears intended as a versatile, contemporary workhorse sans: geometric enough to feel modern and systematic, but softened to remain friendly and readable in continuous text. Its straightforward lowercase constructions and consistent spacing suggest a focus on clarity and broad usability across print and digital settings.

The numerals follow the same rounded, geometric logic as the letters, with clear differentiation between similar shapes and an overall cohesive texture. In the text sample, spacing appears steady and the forms hold up well at larger paragraph sizes, producing an even, dark-but-not-heavy typographic color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸