Sans Superellipse Arkus 3 is a light, very wide, monoline, italic, normal x-height font.
Keywords: ui labels, app branding, tech posters, headlines, logos, futuristic, techy, sleek, aerodynamic, minimal, modernization, streamlining, tech branding, friendly geometry, display clarity, rounded, soft corners, geometric, extended, open forms.
A rounded, geometric sans with extended proportions and a steady monoline stroke. Forms are built from rounded-rectangle geometry with generous corner radii, producing squarish counters in letters like O, D, and P. The italic slant is consistent across the set, with mostly straightened curves and flattened terminals that keep the rhythm crisp and engineered. Apertures are fairly open, and many joins (notably in m/n) are smooth and continuous, reinforcing a streamlined, modular construction.
Well-suited to interface titling, product naming, and tech-oriented branding where a sleek, modern voice is desired. It also fits posters, motion graphics, and display settings that benefit from wide, italicized letterforms and rounded, geometric construction. Use in short to medium text blocks where the distinctive forms can remain legible and intentional.
The overall tone feels contemporary and technological, with a clean, almost automotive or sci‑fi interface character. Its rounded corners soften the machinery, keeping it friendly while still reading as precise and forward-looking. The wide stance and slanted posture add speed and motion, suggesting progress and modernity rather than tradition.
The design appears intended to blend geometric rigor with approachable softness by basing characters on rounded-rectangle shapes and keeping stroke weight even. The consistent slant and wide set suggest a focus on speed, modernity, and high-tech styling, aiming for a recognizable display texture that remains clean and systematic.
Distinctive superelliptical rounds make the texture feel uniform across capitals, lowercase, and numerals. The numeral set follows the same rounded-rectangle logic (especially 0, 8, and 9), while the angled, simplified strokes in figures like 2 and 7 emphasize a schematic, display-oriented flavor. At smaller sizes the light stroke and wide proportions may call for ample spacing and contrast to preserve clarity.