Sans Superellipse Luhi 5 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Gravitica Compressed', 'Hoolister', and 'Virtuose' by Ckhans Fonts (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, retro, condensed, punchy, playful, industrial, space-saving impact, display clarity, geometric uniformity, signage feel, rounded, blocky, compact, soft-cornered, high-contrast (shape).
A compact, rounded-rectangle sans with heavy, uniform stroke weight and tightly controlled, vertical proportions. Corners are consistently softened into superellipse-like terminals, giving counters and bowls a squared-off but friendly geometry. The overall rhythm is dense and even, with short crossbars and minimal curvature transitions that keep shapes sturdy and poster-like. Numerals and letters share the same compressed, pill-and-slab construction, emphasizing a cohesive, modular silhouette.
Well suited to headlines, posters, packaging, and brand marks where a condensed, high-impact voice is needed. It can also work for signage and short UI labels when set at sufficiently large sizes to preserve the tight counters. Longer text blocks may require generous spacing to maintain clarity.
The tone feels bold and attention-grabbing with a retro-industrial flavor, like vintage signage or mid-century display lettering. Its softened corners temper the mass, adding approachability and a slightly playful, toy-block character. The narrow build adds urgency and impact, making words read as compact, assertive units.
Likely designed as a display sans that maximizes presence in a narrow footprint, using rounded-rectangle geometry to stay visually consistent and distinctive. The intent appears to be strong legibility at large sizes with a recognizable, modular silhouette suitable for titling and identity work.
Interior spaces are relatively small for the weight, so the font reads best when allowed some breathing room in tracking and line spacing. The design’s rounded-rectangular logic is especially evident in straight-sided letters (H, I, N, U) and in the squared bowls of C, G, O, and Q, reinforcing a consistent superellipse system across the set.