Sans Contrasted Lonim 2 is a light, narrow, medium contrast, upright, normal x-height font.
Keywords: branding, headlines, ui, posters, editorial, modern, minimal, refined, airy, technical, clarity, modernism, premium feel, neutrality, clean display, rounded, geometric, monolinear-ish, open forms, clean.
A clean sans with slim strokes, generous counters, and a predominantly geometric construction softened by rounded curves. Strokes show subtle modulation, especially where curved joins meet straights, giving the forms a lightly contrasted, polished feel rather than a strictly monoline look. Terminals are crisp and mostly flat, with occasional angled cuts, and the overall rhythm is even and calm. Uppercase proportions are tall and streamlined; the lowercase is clear and open, with a single-storey “a” and a single-storey “g” that has a broad, rounded bowl and a simple ear. Numerals are similarly streamlined, with a rounded “0” and a clean, vertical “1,” supporting a consistent, contemporary texture in text.
Works well for brand identities, product landing pages, and interface typography where a light, modern presence is desired. It also suits headlines, posters, and editorial pull quotes that benefit from an airy, contemporary look, especially at medium to large sizes.
The tone is modern and understated, leaning toward a refined, design-forward neutrality. Its light touch and open shapes feel airy and precise, suggesting a contemporary, tech-adjacent sensibility without becoming cold or overly mechanical.
The design appears intended to deliver a contemporary sans that balances geometric clarity with subtle stroke modulation for a more refined, premium finish. It prioritizes clean rhythm, open counters, and straightforward letterforms that stay legible while maintaining a minimalist aesthetic.
Circular letters (C, O, Q) read smoothly and near-monoline, while straights (E, F, T, I) stay crisp, creating a gentle interplay between softness and precision. The sample text shows a uniform color at display sizes, with clear word shapes and minimal stylistic distraction, making it well-suited to clean typographic layouts.