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Free for Commercial Use

Sans Other Ohni 6 is a bold, narrow, monoline, upright, normal x-height font.

Keywords: headlines, posters, game ui, logotypes, packaging, industrial, retro, techy, playful, gritty, display impact, retro-tech feel, hand-cut texture, graphic texture, angular, blocky, stencil-like, notched, square terminals.


Free for commercial use
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A compact, block-built sans with angular geometry and a deliberately irregular rhythm. Strokes stay consistently heavy, while edges show subtle wedges, notches, and occasional open counters that create a cut-out, stencil-like impression. Corners are largely squared-off with small diagonal chops, giving many forms a slightly skewed, hand-cut feel despite the otherwise rigid construction. Curves are minimized into faceted arcs, and spacing feels tight, emphasizing a dense, punchy texture in text.

Best suited for headlines, posters, album artwork, and branding where a chunky, angular texture is an asset. It can work well for game UI titles, event graphics, or packaging that aims for a retro-tech or industrial mood. In paragraph settings it will be most successful at larger sizes with ample line spacing to keep the dense shapes from visually clumping.

The overall tone is industrial and retro-mechanical, with a DIY edge that reads somewhere between arcade lettering, signage, and distressed display type. Its sharp facets and cut-ins add a gritty energy that can feel both techy and playful, especially at larger sizes. The unevenness in letter silhouettes contributes to a quirky, handmade attitude rather than a polished corporate voice.

The design appears intended to reinterpret a straightforward sans skeleton through faceted, cut-out construction, prioritizing strong silhouette and character over neutral readability. The consistent heaviness and repeated notch motifs suggest a deliberate display approach aimed at impactful, high-contrast word shapes and a rugged, manufactured aesthetic.

Distinctive details like the squared, inset counters (notably in rounded letters and some numerals) and the frequent diagonal nicks create strong silhouettes and help the font stand out in headlines. The texture becomes more pronounced in longer lines, where the faceted curves and tight internal spaces produce a busy, graphic color that benefits from generous leading and moderate tracking.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸