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Free for Commercial Use

Stencil Odwi 3 is a bold, very wide, low contrast, upright, normal x-height font.

Keywords: posters, headlines, packaging, signage, titles, industrial, retro, authoritative, dramatic, mechanical, thematic display, stencil marking, signage impact, poster drama, blocky, angular, notched, modular, high-impact.


Free for commercial use
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A heavy, all-caps-forward display face built from broad, block-like forms and deliberate stencil breaks. The letterforms rely on large geometric counters and sharp, triangular cut-ins that create a consistent rhythm of notches and bridges across the alphabet. Curves (C, G, O, Q) read as carved segments rather than continuous bowls, while straighter letters (E, F, H, I, L, T) emphasize strong verticals and slab-like terminals. Lowercase echoes the same construction with compact, simplified shapes and sturdy, separated joins, keeping the texture dense and uniform in words. Numerals are similarly segmented, with clear internal cutouts and strong silhouettes designed to hold up at display sizes.

Best suited to large-scale applications such as posters, title cards, bold editorial headers, and impactful branding moments where a stenciled texture is desirable. It can also work well for packaging, wayfinding, and thematic signage where a fabricated or industrial mood supports the message. For longer passages, it functions more effectively as a short-display accent than as continuous text.

The overall tone feels industrial and utilitarian, with a vintage signage and stenciled-marking character. The repeated cut-ins and bridges add a sense of machinery, fabrication, and rugged practicality, giving headlines a commanding, no-nonsense presence. It also carries a poster-like drama that can read as cinematic or militaristic depending on context.

The design intention appears to be a high-impact display stencil that merges geometric, carved shapes with consistent breaks for a strong thematic identity. It prioritizes silhouette and rhythmic cutouts to deliver immediate recognition in headlines and branding.

Spacing appears intentionally generous in the sample text, letting the internal breaks remain legible and preventing dark blobs in dense settings. The distinctive wedge-shaped incisions become the primary visual motif, so the face reads best when those details have room to show.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸